ANNA GREGOR
2024
After Berlinghiero 1, 2024, Egg tempera, oil paint, rabbit skin glue, marble dust, muslin on panel, 31 5/8 x 21 1/8"
After Rothko 1, 2024, Oil on canvas, 92 x 78.5"
Studio Reflected in Gold Mirror 1, 2024, Oil paint on panel, 14 x 11"
Studio Reflected in Gold Mirror 2, 2024, Oil paint and 18k gold on panel, 14 x 11"
Self Portrait Reflected in Gold Mirror, 2024, Oil paint, rabbit skin glue, marble dust, muslin on panel, 12 x 6"
Windowless Monad, 2024, Oil paint, rabbit skin glue, marble dust, muslin on panel, 6 x 12"
After Fra Angelico, 2024, Oil paint on canvas, 14 x 11"
Hodegetria (Our Lady of the Way), 2024, Oil paint on canvas, 14 x 11"
Cloister, 2024, Oil paint, rabbit skin glue, marble dust, muslin on panel, 5 x 7"
Groundless, 2024, Oil paint on canvas, 11 x 14"
Double Space, 2024, Oil paint, rabbit skin glue, marble dust, muslin on panel, 36 x 24"
Reverse Perspective, 2024, Oil paint, rabbit skin glue, marble dust, muslin on panel, 7 x 5"
Building Blocks, 2024, Oil paint, rabbit skin glue, marble dust, muslin on panel, 48 x 36"
Fleshly, 2024, Oil paint, rabbit skin glue, marble dust, muslin on panel, 11 x 14"
2023
Does This Painting Make Me Look Flat, 2023, Oil paint, rabbit skin glue, marble dust, muslin on wood panel, 11 x 14"
Annunciation, 2023, Oil paint on copper plate mounted on wood panel, 18 x 24"
Never Did the Eye See Unless it First Became Sunlike, 2023, Oil and cold wax on panel,12 x 9 inches
Reverse, 2023, Oil paint on cardboard, 14 x 11"
The Other Side, 2023, Oil paint on wood panel, 9 x 12 inches.
Construction Site, 2023, Oil paint on wood panel, 10 x 8"
Repetition, 2023, Oil paint on wood panel, 12 x 12 inches.
Echo, 2023, Oil on panel, 12 x 12 inches.
Femme Sans Tete. 2023. Oil paint on canvas. 46 x 24 inches.
Blueprint, 2023, Oil paint on canvas, 80 x 66 inches.
No Exit. 2023. Oil paint on canvas. 72 x 66 inches.
2022
When Under Ether. 2022. Oil paint on copper plate. 14 x 11 inches.
Caution. 2022. Oil paint and graphite on wood panels. 11 x 9 inches.
Insulation. 2022. Oil paint and graphite on wood. 14 x 11 inches.
Guillotine. 2022. Oil paint on canvas. 46 x 24 inches.
No Light Outside, No Light Above. 2022. Oil paint on canvas. 42 x 24 inches.
Medium. 2022. Oil paint on canvas. 36 x 48 inches.
History Painting. 2022. Oil paint on canvas. 48 x 36 inches.
Strange Loop. 2022. Oil paint on canvas. 55 x 33 inches.
Faulty Foundation 5. 2022. Oil paint on mounted canvas. 8 x 10 inches.
Faulty Foundation 4- 2022. Oil paint on wood panel. 8 x 10 inches.
Faulty Foundation 3. 2022. Oil paint on wood panel. 8 x 10 inches.
Faulty Foundation 2. 2022. Oil paint on mounted canvas. 10 x 8 inches.
Faulty Foundation 1. 2022. Oil paint on wood panel. 8 x 10 inches.
You Are Here. 2022. Oil paint on wood panel. 16 x 20 inches.
2021
Escape Attempt. 2022. Oil paint on wood panel. 18 x 24 inches.
Mimesis. 2021. Oil paint and graphite on clayboard. 8 x 10 inches.
Domesticated. 2021. Oil paint on clayboard. 12 x 9 inches.
Stitches. 2021. Oil paint on hardboard. 20 x 16 inches.
Crossing the Line. 2021. Oil paint on clayboard. 20 x 16 inches.
Wittgenstein's House. 2021. Oil paint on wood panels. 14 x 22 inches.
Assimilation. 2021. Oil paint on wood panel. 14 x 11 inches.
Conversion 4. 2021. Oil paint on wood panel. 18 x 24 inches.
2020
Selections from before 2020
ANNA GREGOR
2024
After Byzantium, 2024, carved paper and light, 16 x 12 inches
After Ghissi, 2024, carved paper and light, 16 x 12 inches
After Cimabue 2, 2024, carved paper and light, 16 x 12 inches
After Giotto 2, 2024, carved paper and light, 16 x 12 inches
After Raphael, 2024, carved paper and light, 16 x 12 inches
After Anonymous, 2024, carved paper and light, 16 x 12 inches
After Botticelli, 2024, carved paper and light, 12 x 16 inches
After Giotto 1, 2024, carved paper and light, 16 x 12 inches
After Bohemian Painter, 2024, carved paper and light, 16 x 12 inches
After Crivelli, 2024, carved paper and light, 16 x 12 inches
2023
ANNA GREGOR
CV
EDUCATION
2022 - 2025 | MFA Painting, CUNY Hunter College, New York NY
2016 - 2019 | BFA Fine Arts, Parsons School of Design, New York NY
2012 - 2014 | Chemistry, Occidental College, Los Angeles CASOLO SHOWS
2024 | After Faith, Tomato Mouse at Art on Paper, New York NY
2024 | Double Space, D.D.D.D. Pictures, New York NY
2023 | Visions and Revisions, Moira Fitzsimmons Arons Art Gallery, Hamden CT
2022 | Embodiments, Tomato Mouse, Brooklyn NYGROUP SHOWS
2024 | I Split the Dream, Neptune in June at Studio 9D, New York NY
2024 | remember the things lurking in the darkness, 205 Hudson Gallery, New York NY
2023 | Surfacing, 54 Stone St, New York NY
2023 | Why Do Nymphs Turn into Trees, SPRING/BREAK Art Show 2023, New York NY
2023 | Homebodies, Unit London, Online
2023 | The Mind Roams as the Moth Roams, St Joseph’s University, Brooklyn NY
2023 | Terrible Terrible, 205 Hudson Gallery, New York NY
2022 | SPRING/BREAK Art Show 2022, New York NY
2022 | Among Friends, NY Artists Equity Association, New York NY
2022 | Intimacies, MAPSpace, Port Chester NY
2022 | Intersections, Art on the Avenue, New York NY
2021 | SPRING/BREAK Art Show, New York NY
2021 | Welcome Back!, 205 30th St, Brooklyn NY
2021 | Chasing Light, Gallery 263, Cambridge MA
2021 | Double Vision, Bromfield Gallery, Boston MA
2021 | Storylines, Gallery 263, Cambridge MA
2021 | Fresh Perspectives Group Exhibition, London Paint Club, londonpaintclub.com
2021 | All of the Lights, treat gallery, treatgallery.org
2020 | 2020 Members Invitational, NY Artists Equity Association, New York NY
2020 | We Will Meet Again, New Apostle Gallery, Online
2020 | Night & Day, Local Project Art Space & Departure Studios Gallery, Queens NY
2019 | Group Salon Show, Greenpoint Gallery, Brooklyn NY
2019 | Art 52nd Street 2019, Gallery MC, New York NY
2019 | Gregor, Huang, Karjalainen: Three Painters, 367 Gallery, Brooklyn NY
2019 | BFA Thesis Show, Parsons School of Design, New York NY
2019 | Art, Media + Technology Show, Parsons School of Design, New York NY
2019 | Public Privacy, The New School’s Skybridge Gallery, New York NY
2019 | Beyond Landscape, 25 East Gallery at Parsons School of Design, New York NY
2019 | Milk Press Books, New York Poetry Society, New York NY
2019 | BFA Senior Open Studios, Parsons School of Design, New York NY
2018 | Fire in the Wet Lab, 25 East Gallery at Parsons School of Design, New York NY
2018 | Cover Art, 12th Street Journal, New York NYPUBLICATIONS
2024 | Anna Gregor in the Retracted Age: A Conversation, Whitehot Magazine
2024 | Double Space at D.D.D.D., Art Spiel
2023 | Édouard Vuillard and the Context of Representing Domesticity, Rose Pickering
2022 | Embodiments: Critical Introduction, Eric Bayless-Hall
2022 | Emerging Artist Feature, E66 Studios
2021 | Issue 3, Huts Magazine
2021 | Artist to Watch, Art Connect
2020 | Human Nature, Vellum Magazine No. 24
2019 | Gregor, Huang, Karjalainen: Three Painters by Eric Bayless-HallAWARDS + FELLOWSHIPS
2024 - 2025 | Elizabeth Greenshields Foundation Grant
2022 - 2025 | Ruth Stanton Scholarship, CUNY Hunter College, New York NY
2021 | AltMFA Fellow, The Crit Lab
2019 | Social Science Fellowship, Eugene Lang College, New York NY
2019 | Global Ambassador, Eugene Lang College, New York NY
2018 | Opportunity Award Recipient, Eugene Lang College, New York NYRESIDENCIES
2022 | Self-Made Residency, Victor MTCOLLABORATIONS
2019 | Translation/Transmigration, Matthew Gallery, New York NY (reading based on film made in collaboration with Tatiana Istomina)
2018 | Philosophy of the Encounter: Screening, Triangle Arts Association, Brooklyn NY (film in collaboration with Tatiana Istomina)CURATION
2021 | Welcome Back!, 205 30th St, Brooklyn NY
2019 | Gregor, Huang, Karjalainen: Three Painters, 367 20th St, Brooklyn NY
2018 | Fire in the Wet Lab, 25 East Gallery at Parsons School of Design, New York, NY
2018 | Land, Water, Flesh, The New School’s Skybridge Gallery, New York NY
ANNA GREGOR
ANNA GREGOR
Embodiments
Solo Show at Tomato Mouse, October 22 - November 19, 2022
~Tomato Mouse invites you to a presentation of ten new paintings by A. T. Gregor, her first solo exhibition. Completed in the past year, these pieces continue Gregor’s investigation of body and space through paint. The scale of the work is human or smaller. They employ oil paint in a variety of additive and subtractive processes from illusionistic brushwork to sculpting in paint and carving, incising, scraping and wiping it away to create a subtly layered and activated surfaces that reward close and repeated viewing. The combination of techniques evoke art historical references from early Christian painting to high modernism. Gregor’s spaces seem quotidian domestic and yet to open out into the metaphysical. Reversed perspective lines direct the vanishing point back to the viewer, drawing them into the rarified space of the painting. Mirrors and windows create inaccessible annexes. The austerity of the rooms and surfaces depicted forces the sheer beauty of the depiction into high relief. ~
Embodiments, Critical Introduction by Eric Bayless-Hall
Book designed and made by Madison Gordon
High resolution images of accompanying images below
ANNA GREGOR
on the work of others by me
essays